Read the book, Typographic Firsts
Steven Heller takes a closer look at the Chutz font family, designed by Designed by Michael Rafailyk.
The post Steven Heller's Font of the Month: Chutz appeared first on I Love Typography.
Read the book, Typographic Firsts
Steven Heller takes a closer look at Juan Luis Blanco's new font family, Basati.
The post Steven Heller's Font of the Month: Basati appeared first on I Love Typography.
Read the book, Typographic Firsts
It's that time of year again. Join us as we look back at some of our favorite new fonts released on ILT in 2023.
The post ILT's Favorite Fonts of 2023 appeared first on I Love Typography.
Read the book, Typographic Firsts
Steven Heller goes back to the future with the retro Letraflex, font family, designed by Art Grootfontein.
The post Steven Heller's Font of the Month: Letraflex appeared first on I Love Typography.
Read the book, Typographic Firsts
Steven Heller falls in love with JAF Herb, a tightly spaced, contemporary blackletter with a brush-script vibe.
The post Steven Heller's Font of the Month: JAF Herb appeared first on I Love Typography.
Read the book, Typographic Firsts
An experiment in single-letter logos.
The post Single letter logos: What do you see? appeared first on I Love Typography.
Read the book, Typographic Firsts
I set myself the task of building a small font library on a budget. Here's what I picked, but before that, a few points on how I got started:
The post How to build a font library on a budget appeared first on I Love Typography.
Read the book, Typographic Firsts
The new Johnson & Johnson logo is more than a typographic blunder. It's also a massive branding gamble with a high risk strategy.
The post The New Johnson & Johnson Logo appeared first on I Love Typography.
Read the book, Typographic Firsts
If I were to design a new magazine that needed to be both traditional with the hint of edge attitude, I would consider the Amberwood font family. It is a sans serif with a touch of quirk. Its key feature is the brush letter curves that at once gives it a carnival poster sensibility that feels as though it was designed to suggest carefully contoured ribbon.
The post Steven Heller's Font of the Month: Amberwood appeared first on I Love Typography.
Read the book, Typographic Firsts
Web fonts are more than just a way to make your text look nice. They're a powerful tool to communicate your brand's personality, message, and values to your audience. Web fonts also affect the readability, usability, and accessibility of your website — factors which have a direct impact on your conversions and revenue. To get you started, […]
The post Quality Web Fonts appeared first on I Love Typography.
Read the book, Typographic Firsts
Perhaps the ideal way to appreciate Francis Chouquet's 2023 typeface Scusi is to imagine the classic film posters painted and designed in the 60s and 70s by Italian film poser designer Sandro Symeoni, whose custom letter forms and typefaces adorned a bevy of imported Hollywood films destined to be translated or dubbed for Italian audiences as well as those originals made Cinecitta, the legendary film studio in Rome. Although there is a tangential relationship, Chouquet did a good job of building on them and inventing his own signature
The post Steven Heller's Font of the Month: Scusi appeared first on I Love Typography.
